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	<title>Engineering Sound</title>
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	<link>http://engineeringsound.net</link>
	<description>Engineering Sound</description>
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		<title>Engineering Sound With Reverb</title>
		<link>http://engineeringsound.net/engineering-sound-with-reverb.html</link>
		<comments>http://engineeringsound.net/engineering-sound-with-reverb.html#comments</comments>
		<pubDate>Thu, 14 Jan 2010 22:59:32 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Audio Engineers]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[reverberation]]></category>
		<category><![CDATA[Sound recording and reproduction]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=91</guid>
		<description><![CDATA[



Image via Wikipedia



Reverb naturally occurs in rooms. It is the reflections of sounds off of the walls and its what gives a room its tone. Think of them as millions of echos that blend together and fade away quickly. Reverberation decays rather quickly and gives the feeling of space. Your ears and brain have spent [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Compressors &#8211; What Are They?</title>
		<link>http://engineeringsound.net/compressors-what-are-they.html</link>
		<comments>http://engineeringsound.net/compressors-what-are-they.html#comments</comments>
		<pubDate>Mon, 11 Jan 2010 22:49:13 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[Compressors]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Audio Engineers]]></category>
		<category><![CDATA[Audio mixing]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[Dynamic]]></category>
		<category><![CDATA[dynamic range]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[Human voice]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=89</guid>
		<description><![CDATA[A compressor is a really wonderful tool when engineering sound. What it comes down to, is its a tool that gives you more dynamic control over sound levels. For those of you who don&#8217;t know what a compressors is, I&#8217;ll give a quick explanation. A compressor does exactly what it sound like, it compresses the [...]]]></description>
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		<title>Mastering Audio and Music tracks &#8211; Tips and Tricks</title>
		<link>http://engineeringsound.net/mastering-audio-and-music-tracks-tips-and-tricks.html</link>
		<comments>http://engineeringsound.net/mastering-audio-and-music-tracks-tips-and-tricks.html#comments</comments>
		<pubDate>Fri, 08 Jan 2010 21:32:00 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[Arts and Entertainment]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Audio Engineers]]></category>
		<category><![CDATA[Audio mastering]]></category>
		<category><![CDATA[Audio mixing]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Tools and Equipment]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=87</guid>
		<description><![CDATA[I&#8217;ve talked a little about Master and what it is, and now I want to go further into the subject. Mastering Audio tracks is the final stage of the engineering sound precess. Mastering audio and music tracks can be long and difficult so I just want to give you a few tips and tricks of [...]]]></description>
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		<title>Engineering Sound &#8211; The Process of Mastering</title>
		<link>http://engineeringsound.net/engineering-sound-the-process-of-mastering.html</link>
		<comments>http://engineeringsound.net/engineering-sound-the-process-of-mastering.html#comments</comments>
		<pubDate>Mon, 04 Jan 2010 18:44:10 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Audio Engineers]]></category>
		<category><![CDATA[Audio mastering]]></category>
		<category><![CDATA[Best Buy]]></category>
		<category><![CDATA[Compact Disc]]></category>
		<category><![CDATA[Compression]]></category>
		<category><![CDATA[Digital audio player]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[Recording studio]]></category>
		<category><![CDATA[sound engineering]]></category>
		<category><![CDATA[Sound recording and reproduction]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=85</guid>
		<description><![CDATA[

Mastering is the final part of the recording process and involves transferring your music, or whatever else you might have recorded, to CD or mp3 player. Back in the day when vinyl records were king, it was a real art form to transfer the analog recording on to the vinyl record. Because of the skill [...]]]></description>
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		<title>Microphone Placement 3 to 1 Rule</title>
		<link>http://engineeringsound.net/microphone-placement-3-to-1-rule.html</link>
		<comments>http://engineeringsound.net/microphone-placement-3-to-1-rule.html#comments</comments>
		<pubDate>Fri, 01 Jan 2010 19:58:19 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Arts and Entertainment]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Audio Engineers]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[mic tips]]></category>
		<category><![CDATA[Microphone]]></category>
		<category><![CDATA[Mics]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Sound recording and reproduction]]></category>
		<category><![CDATA[Tools and Equipment]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=83</guid>
		<description><![CDATA[What is the 3 to 1 rule in microphone placement? Before I answer that, let me say a few things about what you should be trying to achieve as a sound engineer.  When making an audio recording, you want to make it sound good on multiple devices. Keep in mind that your recording could be [...]]]></description>
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		<item>
		<title>Tight Recording vs. Muddy Recordings</title>
		<link>http://engineeringsound.net/tight-recording-vs-muddy-recordings.html</link>
		<comments>http://engineeringsound.net/tight-recording-vs-muddy-recordings.html#comments</comments>
		<pubDate>Tue, 22 Dec 2009 04:30:57 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Arts and Entertainment]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Audio Engineers]]></category>
		<category><![CDATA[Audio mixing]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[Kids and Teens]]></category>
		<category><![CDATA[leakage]]></category>
		<category><![CDATA[Microphone]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound engineering]]></category>
		<category><![CDATA[Sports and Hobbies]]></category>
		<category><![CDATA[tight recording]]></category>
		<category><![CDATA[Tools and Equipment]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=80</guid>
		<description><![CDATA[There are lots of different terms used to describe audio, sounds, and mixes. I want to explain the difference between a tight recording and a muddy recording. Extreme cases of both can be a bad thing. You generally want to have a tight recording with just a little bit of leakage to add character. When [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Place Microphone Tips and Tricks</title>
		<link>http://engineeringsound.net/how-to-place-microphone-tips-and-tricks.html</link>
		<comments>http://engineeringsound.net/how-to-place-microphone-tips-and-tricks.html#comments</comments>
		<pubDate>Sat, 19 Dec 2009 07:40:30 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Bass guitar]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Guitar amplifier]]></category>
		<category><![CDATA[Headphones]]></category>
		<category><![CDATA[mic tips]]></category>
		<category><![CDATA[Microphone]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound engineering]]></category>
		<category><![CDATA[Stringed]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=76</guid>
		<description><![CDATA[



Image via Wikipedia



There is a true art when choosing where to place a microphone on an instrument. But a couple of standards that are used to help achieve the best sound possible. I&#8217;ll share a few tips and tricks on how to place a microphone, but it might not always work in every situation. The [...]]]></description>
		<wfw:commentRss>http://engineeringsound.net/how-to-place-microphone-tips-and-tricks.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Engineering Sound Mixing Secrets</title>
		<link>http://engineeringsound.net/engineering-sound-mixing-secrets.html</link>
		<comments>http://engineeringsound.net/engineering-sound-mixing-secrets.html#comments</comments>
		<pubDate>Tue, 15 Dec 2009 21:49:49 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Audio Engineers]]></category>
		<category><![CDATA[Audio mixing]]></category>
		<category><![CDATA[Country music]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[Headphones]]></category>
		<category><![CDATA[Hip hop]]></category>
		<category><![CDATA[Noise]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[Singing]]></category>
		<category><![CDATA[sound engineering]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=72</guid>
		<description><![CDATA[



Image via Wikipedia



I&#8217;m going to give you a couple of secrets that will help your mixing sound better. If you are having trouble producing a killer mix, try these simple steps and you&#8217;ll be amazed at the difference it will make. Mixing tracks is an art form, and it takes a lot of practice to [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What is Sound Engineering and Where Can You Get Training?</title>
		<link>http://engineeringsound.net/what-is-sound-engineering-and-where-can-you-get-training.html</link>
		<comments>http://engineeringsound.net/what-is-sound-engineering-and-where-can-you-get-training.html#comments</comments>
		<pubDate>Sun, 13 Dec 2009 00:22:49 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Audio Engineers]]></category>
		<category><![CDATA[Audio mixing]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[engineering sound]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[School]]></category>
		<category><![CDATA[sound engineering]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Video game]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=68</guid>
		<description><![CDATA[

What is sound engineering and where and how do you get training to become an audio engineer? A sound engineering is the science, art and process of recording, editing, and mixing sounds. An audio engineer can work in many fields which include, but not limited to, Film, Television, Music, Radio, and Video Games. These are [...]]]></description>
		<wfw:commentRss>http://engineeringsound.net/what-is-sound-engineering-and-where-can-you-get-training.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Distortion and Clipping</title>
		<link>http://engineeringsound.net/distortion-and-clipping.html</link>
		<comments>http://engineeringsound.net/distortion-and-clipping.html#comments</comments>
		<pubDate>Thu, 10 Dec 2009 04:03:53 +0000</pubDate>
		<dc:creator>Max Penning</dc:creator>
				<category><![CDATA[Clipping]]></category>
		<category><![CDATA[Analog signal]]></category>
		<category><![CDATA[Audio engineering]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Microphone]]></category>

		<guid isPermaLink="false">http://engineeringsound.net/?p=66</guid>
		<description><![CDATA[



Image via Wikipedia



When engineering sound, there are standards and general rules of thumb that should be followed. But at the same time, audio engineering is an art form blended with science. So there is a time to brake rules when trying to create something unique and memorable. One thing a sound engineer usually avoids is [...]]]></description>
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